This website was curated by The Phoenix Gallery Brighton, funded and supported by The Arts Council …
View Details →William Latham studied for a BA in Fine Art at Christ Church, Oxford, from 1979-1982 in …
View Details →Latham was strongly influenced by the artistic systems and processes employed by Russian Constructivist artists such …
View Details →Latham was influenced by the work of Constructivist sculptor Naum Gabo. The theory behind Gabo’s work …
View Details →William Latham was influenced by Kraftwerk’s album Computer World. The album explores themes associated with the …
View Details →William Latham was taught by painter and sculptor Kenneth Martin whilst studying at the Ruskin School …
View Details →At The Ruskin School of Drawing Latham attended contemporary dance sessions taught by Arlette Bonne of …
View Details →Based on ideas derived from the contemporary dance sessions William attended. This formed the basis of …
View Details →Large-scale spiral balsa wood structures. William Latham, Untitled Structure, 1981. Balsa wood. William Latham balsa wood structures, 1981.
View Details →Hand-drawn images used for the production of animated films showing geometric shapes dynamically changing.
View Details →An ongoing preoccupation with evolution runs through much of Latham’s work. It is apparent in his …
View Details →Latham became a Henry Moore Scholar and studied print-making at the Royal College of Art between …
View Details →In this book Benoit B. Mandelbrot presents his theory of fractals to describe the shapes of …
View Details →Latham was inspired by natural systems and how they often relied on the repetition of very …
View Details →An experimental drawing system created by William Latham and used by him to produce many works …
View Details →Form Synth large-scale drawing showing the evolution of complex forms using a simple set of transformation …
View Details →Latham was strongly influenced by the work of his PhD supervisor Keith Critchlow who, despite Latham’s …
View Details →Latham employed the mathematical system of fractal process in his FormSynth drawings. Fractals are never ending …
View Details →A portrait of William Latham sketching a FormSynth drawing. Here Latham is drawing according to the …
View Details →Latham was inspired by the shape transformation rules devised by Stiny and March.
View Details →First attempts by William to formalise the Form Synth process – a rule based drawing process …
View Details →At the Royal College of Art William produced a series of five etchings using the Form …
View Details →Programmed in BBC Basic the computer gave William randomly selected drawing instructions from the Form Synth …
View Details →Latham’s FormSynth drawings and oriental etchings were influenced by the visual imagery of Tantric Art.
View Details →Dawkins’ book The Blind Watchmaker was published in 1986 providing an argument for the theory of …
View Details →Latham presented an original paper at the BCS Computer Graphics and Displays Group and Computer Arts Society’s 20th …
View Details →Latham first met Paul Brown at Middlesex Polytechnic in Cathill, North London in late 1986 where …
View Details →CSG solid modelling software developed by Peter Quarendon in collaboration with John Woodwark at the IBM …
View Details →Developed by Stephen Todd at the IBM UK Scientific Centre, a rapid prototyping tool for 3D …
View Details →The experimental work carried out during Latham’s time at the IBM Scientific Research Centre represented a …
View Details →William joins IBM UK Scientific Centre as a Research Fellow in May 1987 in Winchester.
View Details →Developed by William Latham and Stephen Todd, with Todd doing the software development. Mutator is a …
View Details →One of the first coiled forms by Latham produced at the IBM UK Scientific Centre using …
View Details →Whilst working at IBM Latham was influenced by the etchings of the 19th Century artist Samuel …
View Details →Latham’s artistic process takes place in two stages: creation and gardening. He first creates a system …
View Details →The Form Grow program is a form generation system written in the geometric programming language ESME. …
View Details →Portrait of William and Stephen Todd at the Main Lab at IBM Scientific Research Centre, Winchester.
View Details →A preoccupation with nature inspired Latham’s work throughout his career and is especially apparent in the …
View Details →Another way of thinking of Mutator is as an evolutionary fruit machine. Mutator spins the gene …
View Details →Portrait of William Latham at the Main Lab at IBM Scientific Research Centre, Winchester.
View Details →Latham’s use of lighting in his works was inspired by the lighting models of Rembrandt. Rembrandt, Self …
View Details →Richard Dawkins attended and gave a talk at Latham’s exhibition The Conquest of Form at the …
View Details →William Latham solo exhibition at the Arnolfini Gallery, Bristol, 3rd December 1988 – 15th January 1989. …
View Details →The textures of Latham’s works are inspired by the artistic technique of frottage employed by the …
View Details →A seasonal inspiration that influenced the forms in some of William Latham’s Mutator works.
View Details →In 1990 Latham commissioned composer Mark Ayres to compose a score for his computer art film The …
View Details →Strong influence of Celtic Art in the serpentine forms created by Latham at IBM.
View Details →The White Horn form is one of Latham’s favourite mutations, artificially evolved, it is reminiscent of …
View Details →Sterling, who was interested in Latham’s mutation art, visited him at IBM whilst attending a Science …
View Details →William Latham and Roberto Matta, the last Surrrealist, met three times. The first was in Monte …
View Details →William Latham solo exhibition opens at the O Art Museum, Tokyo, November – December 1990. Major …
View Details →The Rorschach Ink Blot Test is a psychological test whereby subjects perceptions of the shapes made …
View Details →Latham was inspired by shapes and forms that he found aesthetically pleasing. One such shape being …
View Details →Latham’s work built up a cult following in the rave and club scene.
View Details →William’s hand-drawing for Organic Television movie, also used in Biogenesis movie, showing the budding-like coral growth …
View Details →The shapes and forms of Latham’s works were informed by those of the Rococo and Baroque …
View Details →Karl Sims similarly employed Richard Dawkins Blind Watchmaker approach in his graphics software and movies, extending …
View Details →Evolutionary Art and Computers is a book written by William Latham and Stephen Todd. The book …
View Details →Stephen Todd and William Latham apply the evolutionary techniques for evolving Mutation Art to design starting …
View Details →The House Mutator developed by Stephen Todd and William Latham is extended to evolve designs for …
View Details →Computer Artworks was founded by Latham in 1993. It began working mainly with film, TV and …
View Details →Portrait of William Latham in Tokyo standing in front of Infinity Tunnel.
View Details →Scientific American features an article on William Latham’s and Karl Sim’s work.
View Details →Whilst still at IBM, Latham was approached by the manager of The Shamen to produce album …
View Details →William Latham’s Organic Television a multi-screen video installation at London Festival Hall, 29th March – 24th …
View Details →Science fiction was an ongoing influence in Latham’s work. Surrealist H.R. Giger’s science fiction designs for Ridley …
View Details →The Guardian newspaper features William Latham’s installation of Organic Television exhibited at Royal Festival Hall, London.
View Details →Following leaving IBM, William rapidly took his work in a commercial direction, and having set up …
View Details →Evolutionary Design By Computers Edited by Peter J. Bentley. Includes chapters by Todd and Latham and Karl …
View Details →The critically acclaimed computer game Evolva, produced by Latham’s company Computer Artworks Ltd., was published by Interplay Entertainment …
View Details →Increasingly William’s work was becoming more and more games industry focused and based on his old …
View Details →William Speaking at Blip Conference Brighton on computer games.
View Details →From 2005-2006, William Latham was Professor of Creative Technology at Leeds Metropolitan University.
View Details →Latham met Lawrence Kelley, through an introduction by Simon Colton from the Imperial Computing Department, at …
View Details →William starts collaborating with Prof Frederic Leymarie at The Computing Goldsmiths (University of London) in 2007. …
View Details →In 2007 William Latham became Professor of Computing at Goldsmiths, University of London.
View Details →Tom Coates is a Royal Society University Research Fellow. William Latham first met Coates with the …
View Details →Work done by Stephen Todd and Peter Todd with Dr. Tom Coates at the Maths Department …
View Details →Dr. Parashkev Nachev is a Lecturer at the Institute of Neurology at University College London. He …
View Details →New Mutator2 interface in style of Mutator 1, working in browser with real time shadows.
View Details →Scientific work with long term collaborators Prof Frederic Leymarie at Goldsmiths, Stephen and Peter Todd, Prof …
View Details →Latham was influence by John Cage’s work, As Slow As Possible, the longest piece of organ …
View Details →A work created for the Phoenix Show, the Mutator2 Triptych is a novel extension of the …
View Details →William Latham solo exhibition at The Phoenix Gallery, Brighton, 7 September- 13 October. Curated by Sue …
View Details →Latham working on the gallery wall drawing for Mutator 1+2 exhibition at the Phoenix Gallery, Brighton.
View Details →Gallery wall drawing for Phoenix by Latham. 8 feet X 8 feet produced over 48 hours. Latham …
View Details →Photographs from the preview of Mutator 1+2 Evolutionary Art by William Latham. Photograph from the preview …
View Details →At night the exterior of the gallery is used for projections at the Mutator 1 + …
View Details →A one day symposium, held at The Phoenix Gallery, to explore the boundaries between art and …
View Details →Coinciding with the Mutator 1 + 2 exhibition at Phoenix Brighton, Latham contextualised his evolutionary drawings …
View Details →Professor Michael J. E. Sternberg is Head of Structural Bioinformatics at Imperial College, a leading research …
View Details →Live coding workshop hosted by Stephen Todd, Peter Todd and William Latham and held at the …
View Details →Prof William Latham. Goldsmiths. University of London. Email William Latham by clicking here Site design and …
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